Barbara’s W.I.P.

(Work In Progress) 
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What's Wrong With Us???


American Violet, opening nationwide on April 17th. Starring newcomer Nicole Beharie as Kelly, as well as Alfre Woodard, Tim Blake Nelson and Charles S. Dutton, the film is practically a primer on drug-task-force abuses under what is known as the Edward Byrne Memorial Justice Assistance Program.

In November 2000, a drug task force arrested 28 residents of Hearne, Texas, almost all of them African-American, and charged them with distributing crack cocaine. Pressed to plead guilty to the charges by their public defenders, several of the accused did, but Regina Kelly, a single mother of four, refused. The American Civil Liberty Union's Drug Law Reform Project eventually took up the case and filed a class-action lawsuit on behalf of 15 of the arrestees, accusing the local district attorney and theSouth Central Texas Narcotics Task Force with conducting racially motivated drug sweeps for more than 15 years.

Enacted in 1988, and recently refunded under President Obama's stimulus package, the Byrne grant program is designed to help states and local jurisdictions fight drugs and the violent crime associated with drug trafficking. The program provides federal money in 29 specific "purpose areas," including crime-victim assistance and alternatives to incarceration for nonviolent offenders, but most of the grants are intended for police activity. And a good deal of the money disbursed is predicated on the number, not the quality, of drug arrests.

"Throughout America, Byrne grants are consistently used to target very low-level drug dealers for arrest and long-term incarceration," said Graham Boyd, lawyer for the Hearne plaintiffs and director of the ACLU's Drug Law Reform Project. "You have a drug task force whose goal is to arrest as many people as they can, their funding stream is based on that, so they rely on confidential informants, and their racial profiling is staggering."

"The block grant is based on population and crime rate," added Bill Piper, director of national affairs for the Drug Policy Alliance Network. "Because it's based on arrests, the incentive is to focus on arrests, and the more the better. They have an incentive to go after low-level drug dealers, and it leads to civil rights offenses because they have quotas to fill, and that might entail cutting corners."

Hearne was not the first case, nor the most notorious, involving drug-task-force abuses. That honor belongs to Tulia, another small Texas town where, on July 23, 1999, and based on the word of a single informant, 46 people, 39 of them African-American, were accused of selling drugs. As recounted in Tulia, Texas, a documentary recently shown as part of PBS' Independent Lens series [available on DVD at www.newsreel.org], the informant, Tom Coleman — at one point named "Texas Lawman of the Year" - had a checkered law enforcement career, did not wear a recording device during any of his alleged drug buys, made numerous evidentiary errors and was accused of being a racist.

Read the rest: http://www.miller-mccune.com/legal_affairs/taking-drug-task-forces-to-task-1074

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Chocolate: the movie

"Jija" Yanin Vismistananda in the 2008 film "Chocolate," directed by Prachya Pinkaew.

Girl eats handfuls of M&Ms (thus the title), learns martial arts by watching TV, then kicks ass. Sounds yummy.

NY Times trailer
(better than utube)

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Confused (about Slumdog Millionaire)

Slumdog Millionaire Backlash Intensifies

Protests at Indian cinemas over Slumdog Millionaire

Slumdog Filmmakers Strike Back

FILMMAKERS STATEMENT:

From the moment that we hired them and long before the press became interested in this story, we have paid painstaking and considered attention to how Azhar and Rubina's involvement in the film could be of lasting benefit to them over and above the payment they received for their work.

The children had never attended school, and in consultation with their parents we agreed that this would be our priority. Since June 2008 and at our expense, both kids have been attending school and they are flourishing under the tutelage of their dedicated and committed teachers. Financial resources have been made available for their education until they are 18. We were delighted to see them progressing well when we visited their school and met with their teachers last week.

In addition to their educational requirements, a fund is in place to meet their basic living costs, health care and any other emergencies. Furthermore, as an incentive for them to continue to attend school a substantial lump sum will be released to each child when they complete their studies. Taking into account all of the children's circumstances we believe that this is the right course of action.

Since putting in place these arrangements more than 12 months ago we have never sought to publicize them, and we are doing so now only in response to the questions raised recently in the press. We trust that the matter can now be put to bed, and we would request that the media respect the children's privacy at this formative time in their lives.

Danny Boyle and Christian Colson



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Slumdog Backlash?

Decoding the Slumdog Millionaire Backlash

Also See:
Mumbai slum residents object to 'Slumdog's' name

Indians don't feel good about 'Slumdog Millionaire"

       
Click here to download:
Slumdog.zip (266 KB)

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....and now “Ashes of Time Redux”

             

Click here to download:
....and_now_Ashes_of_Time_Redu.zip (873 KB)

Ten years ago the Hong Kong director Wong Kar-wai went to retrieve original negatives of one of his early films from a lab going bust. He was startled to find reels of that martial-arts film, "Ashes of Time," made only four years earlier, already disintegrating. It was a rueful coincidence for an auteur whose work ("In the Mood for Love," "Chungking Express" ) often mines the terrain of the ephemeral present, the disappearing past and the longing for what might have been.

Mr. Wong began hunting down prints of the film, some tucked away in vaults of far-flung Chinatown theaters abroad. "It was like looking for overseas orphans," he said. Then he spent five years restoring, reassembling, color-correcting and rescoring the film.
From: http://www.nytimes.com/2008/10/05/movies/05cheng.html

...in an act of aesthetic resurrection, he gathered together all the prints of "Ashes of Time" he and his team could find, shuffled and tweaked its scenes, underlined still-fuzzy relationships between characters, added some cello soul from Yo-Yo Ma , redesigned the credits and deepened the palette.
From: http://www.nytimes.com/2008/10/10/movies/10ashe.html

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Scrappy guerilla filmmaking uploaded straight to YouTube

Wayne Wang, known for his big-budget Hollywood feel-goods, returns to his roots



THE PRINCESS OF NEBRASKA

On October 17th, he released The Princess of Nebraska, a barebones drama about a teenage Chinese immigrant dealing with an unexpected pregnancy. And he released it in an unorthodox way: in YouTube's Screening Room, in high-definition, for free. The film garnered nearly 200,000 views in one week, making it the biggest online full-length feature release to date (and a clear success when compared with a traditional indie box office release, which is lucky to sell 30,000 tickets).

Wang chose to release the film online as a companion piece to A Thousand Years of Good Prayers, a simultaneous theatrical release that's the more traditional of the two. Both films are based on elegant short stories by the young Chinese author, Yuyun Li, and explore the lives of recent female immigrants searching for identity and stability in a new country. Told he couldn't release the films as a double feature by his distributor, Wang and his team turned to other avenues. "We thought, wouldn't it be fun and a bit revolutionary to take a brand new film by a veteran filmmaker and put it on YouTube?" says Matt Dentler, an executive at Cinetic responsible for brokering the YouTube deal. "The film is now attracting audiences that a theatrical film would never attract—people who don't live in a major city and would not have a chance to see the movie are flocking to it. This is a good sign for the independent filmmaker, and it's much like what Radiohead did by giving away their music online. You don't have to always go the traditional route."

From Rachel Syme at http://www.thedailybeast.com/blogs-and-stories/2008-10-27/straight-to-video/

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